0 comments Sunday, May 11, 2008

i love it when we sit beneath the sky
and look up at it.
it reminds me that the sky is upwards, as it usually is.
and i am thinking "it's really blue" when you give me a kiss
which surprises me. i wonder why
i don't mind the taste of your spit

which reminds me. our love flows
just like the river in the spring, beside
the spot of grass beneath the tree in the meadow where we sat.
the world around us is rather green and flat,
but i write it again anyway as though nobody knows.
just like our relationship. nowhere to run, nowhere to hide.

whoops, now you know why i'm fidgeting
even as i put my arm about your shoulders.
the warm caress of soil upon my arm
is starting to irritate me, damp and was that a worm?-
and the way you hold on to me, gripping, tightening,
like you want to ignite our last smoulders

into a blaze, the last of summer's sun.
ha-ha, no way.
didn't we get bored of this a long long while ago?
no reason i can think of to keep up this show.
you know we've had our fun
and you've had the lion's share of the say

the whispers, rages, weeps and roars of love.
i've been content to listen.
somehow though you never seem to stay angry for too long
and eventually it's all ha-ha and fun and song
but i'd swear to god above
all the while i'm chewing my nails in vexation.

so while you nuzzle, i look up. in fact, i stare,
at sky and river, trees and meadows green.
eyes closed, you hold me close. perhaps too close for comfort.
and you have that indescribably fascinating smile. like a pervert.
i wonder what sort fruit our love will bear?
- haps children, or strychnine.

0 comments Saturday, May 10, 2008

all your fantasies and their gallant steeds
they streak across the sky, in their wake Apollo's chariot drowning
uncaring about the moon in their sky frowning

while down below, upon the blooming weeds
a rooster crows and goes to sleep

there can be no rest while the night is deep-
stop your ears, and the carnival will dance
close your eyes, and their music finds their way into your trance
purples, greens, and pinks, upon a star-studded black
and the silent crescent who turns her haughty back

never remembered by their deeds
(only in the dark does your tritium glow)
and when you walk in the sun, nothing will you know

nothing will you remember of the dancing in the sky
the meteors' frantic waltz before they blaze and die
with shimmering aurora, her iridescent gown ablaze
you will wave your hair along with the grasses
(still in your left hand, three fingers clutching your glasses)
and through half-curled lips gently tongue your praise
and in the morning when you rub your eyes

tell me- when a dreamer wakes- does he laugh or cry?

0 comments Tuesday, May 06, 2008

I open my eyes every morning
to see my world in a different perspective.
I’m parallel to it.
The old taste of last night’s vacillating reverie lingers,
Gently treading on not quite awakened taste buds.

I get up.
A bit dizzy from the altitude of everlastingness;
life is buzzing beneath me.
the noncongruent stories of yesterday,
and the day before and the day after
whir through my mind,
almost as if played on film.

to fill up a three second gap
in conversation
Someone asks
“what have you been doing?”
sounding the whips of syntax.
I am stuffing the tireless altitudes of the created space
– the void
With eloquence.

the sinewy efforts at sincerity
– can't you feel it gliding round you?
mutating, yielding the effort-filled phrases of speak to air,
compounding, saccharinely opening the sheerest
the trellised tiny purposes, parables,
this marketplace
of tightening truths
and balmy drops of joy

0 comments Monday, May 05, 2008

These blue chords plunging deep to twang a melody of resonating power
This luscious melancholy voice crying a note of penetrating assurance
That randy rhythm moving my eyes to gaze upon the thought of our aching memories
Hope to find my look plunges deep
Hope to find my lips cry a note
Hope to find my touch will sooth the ache
Lend me your heart, I'll give it back whole if it takes my blood
Lavish me your solace, I'll keep it secure if it costs me my own
Grant me a moment with your thoughts, alone to cherish
Hope to find my look plunges deep
Hope to find my lips cry a note
Hope to find my touch will soothe the ache
When I speak with him my toes hush to listen, in silence enthralled
When I stop and catch a sudden scent, my pores soak in prostrate delight
It's bound to be shimmering of hues, Michaelangelo reaching down to paint our sky
It's bound to be murky of thunder, Van Goh splashing the clouds with rusty rain
It's bound to be surreal as fiction, Rousseau sketching what was only dreams
When I touch his body again on that 19th of September I hope to find only him

0 comments Friday, May 02, 2008

I. mellifluous

Sweetly or smoothly
cascading dapples of
midnight blues &
lemon chiffons.
coralshades striate
antiquewhites.
a dash! of ivory,
a whisper! of bisque,
a hint! of chartreuse,
humming murmurs
flowing; melodious


II. ostentatious

showy; pretentious;

trying to etch a
presence, an
existence; but only
to leave behind
a hushed tone of
caricaturizedimitations.
blurs of intense jazz
drone in the
humdrum;
within depths of
ambivalence, yet
played seemingly
to attract attention


III. pastiche

a piece of music
confused&blurred
by paraphernalia,
stained with traces
of paranoia.
in the quiet tone
of pathos, I
envision that
you are just
another undistinguished
daub on my hued
psychedelic palette,
made up of borrowed
bits and pieces.

adam, thought you might like to know, this poem had nothing to do with you. i was feeling vicious at that time. lols. love ya anyhow. haha.

1 comments

If happiness comes with forgetting,
grey matter is a small price to pay.

0 comments

The Inability to describe
Whitewashed hopes in denial.
In denial of love
too afraid to risk all in a folly's embrace
too impure to hide the truth
Putting sugar-strained smiles on display
But only in gibe
too powdery to see the pink vibrance of life beneath
too thin to taste the sentimental yearning
Of a heart without a soul
adrift and separate by the madness
The madness ingrown
too many times before
too many times before
too many times before
oh! the discombobulate
emotions in a verbal manner

0 comments

bodies entwined in smoke and dancing
writhing desperately –
clinging.

dusted visages, titian sanguine lips
painting smudges
on collars and
burnished cheeks

careless whispers of love and desire
hearts twisted, tangled
and reason has stolen
fancy’s painted wings

the phantom shapes that haunt
sweet reveries of
lives,
seemingly on filmstrips

0 comments Wednesday, April 30, 2008

What cruel vices poets do inflict
upon the fright, unknowing, youthful world;
upon an early morning interdict
with Language's faint and frivolous curls
a flower I find I can no longer smell
without immediately thinking of a bell
and rhyme's tyranny I patiently bore
until my coffee turned a metaphor

what beauty justifieth this torment?
in time each word must surely lose its power
a symbol of some artist's discontent?
i much rather call a flower a flower

this was written one disgruntled night
by a poet short on sleep and sight.

0 comments Saturday, April 12, 2008

Each sliver of disguise
that peels away from you
I treasure it contentedly
I nurse it in my eyes

That when you fall apart
and flippantly entombed
You float in faint eternity
Preservèd in my heart.

0 comments

"What use are hands on a clock?", he said; "You can't hold on to time. It slips away, it crumbles like a weather-beaten rock".
"That's true", I replied and smiled at him, "fingers on time have just the use as stones on the graves, on those who have died".
He laughed and sipped at his tea and stirred it; "Not consolation for those who've kicked it".

1 comments

I write for you. It has to be
better than feeling like a worm,
while wallowing in increasingly
melting goo. So I shall mow
down any feelings that show, peeking out
like sprouts in brightly
green rows. Spring came early
and uninvited, that is true,
but everything I do, I'll
later rue. However, it's an easy
matter to glue a letter firm and
tight so I won't squirm,
and I'll never remember.

It should comprise things about
the universe and seas, then go
on to curse and wheeze. Perhaps
some metaphors comparing love to
war, or to unidentifiable black fungal moss?
Why, that might help to close some
doors. Not that you really care,
of course, but even if we never
watched the sunsets in a breeze, or
languidly together fed the fish, which
sounds quite boring, and probably
is, shock and horror, I think I'll
gladly? miss? whatever constitutes "all this".

____________________
comments v appreciated, especially if it's too prosaic?
eli

4 comments Friday, April 04, 2008

is the time to shed your old skins
like a snake. Pack rats
should not be cowed
by the mountains of memories
crammed in boxes, but be ruthless
as the tiger. Out with the old!
And tomorrow, as the rooster crows,
you can pig out on cakes and civilities
til you're hoarse. Pineapple tarts and
rabbit sweets are particularly good for this.
Just don't behave like a bull
in a china shop when goaded; only children
get to monkey around. Your thrice-removed
cousin's cat stretches,
yawning like a minature dragon.
Even it is dog-tired.

eli

_______________
(extremely unseasonal post. well, i wrote it before cny! and please tell me you guys know what a pack rat is. half the people i showed this to didn't!)

2 comments

freshly basked, make you toasty
when it's cold, or so I'm
told. These just
look at me quizzically.
No, mustn't act rashly.

Must it be none? Not even
one? The browned and crisp
crowns seem to frown
at my indecision.
Outside the sun winks - almost,
I think - and I say "Nuffink."

eli

0 comments Tuesday, April 01, 2008

On a Monday on a bus
as the road whizzes by
I sometimes wonder to myself
if my soul can fly
at the speed achievable by an internal combustion engine.

adam

1 comments Saturday, March 29, 2008

Rustle of lips that meet
brushing past
In the streets -
Lovers deeply drunk
of Desire
Step darkly into the night -
it parts for them
like the gentle yielding
of a coy lady's limbs.


Music burns,-
the air grows thick with
stirrings of poetry
and ninety-nine red roses
drip dew incarnadine -


while hearts unfluttered yet repose
on hearths of love
like ice-glazed obsidian,
still unwarmed
by the fickle furnance
of cupid's platitudes.


Sharon

0 comments Friday, March 28, 2008

i watched a train depart
and on it was my love
i heard the whistle cut the air
the sound to pierce my heart

the tears were soon all spent
your burden in a chest
and when the station held no soul
my heart held no intent

so go, my love! be free!
i cannot wait for you
for when i check the table, it
intends eternity

2 comments Thursday, March 27, 2008

It was one of those moments
locked in an instant;
where our faces met, in the
reflection within


solidifying cup of chocolate.
smoke sylphed off the rim,
Leaped exuberant,
Waxed ethereal...


Then condensed-
And thawed.
You supped the dregs and left
me waiting for a different brew
to fill this empty mug.

Sharon

0 comments Wednesday, March 26, 2008

EDIT: I, the dictator of the blog, demand updates. And don't tell me you haven't written anything. Cheng, put up that piece of prose you showed me. Sharon, the stuff you wrote last year. You all have a week!

This is big news: I've changed the blog layout, Yes!

Things to note:
1. The title of the blog has been changed from the rather trying-too-hard-to-be-funny "Writer's Blog! I swear it's a pun!" to the stylishly ambiguous "wb : " in lower case letters, WITH a colon.

2. The blog is now grey, which is the colour of the FUTURE. Yes. In the future, everything is grey.

3. Due to an accident involving a time machine and a small portable hard disk, our old tagboard is gone and has been replaced with the old defunct tagboard on my old blog which was originally taken down because it got spammed with russian porno ads. It is also futuristically grey.

4. Because my school taught me Creationism instead of HTML, i have been unable to correct the fact that the name of the poster is no longer displayed on entries. You will have to label your posts manually by typing your name at the bottom.

5. THIS IS THE MOST IMPORTANT. We now have an atom feed, which is hyperlinked under the moniker 'Feed' at the top of the page.

6. We now have a logo on the right which I hacked together in 5 minutes using mspaint.

adam

0 comments Tuesday, March 25, 2008

scritch of computer
conversational
much harder than we thought, a poem
much harder than a rock
tinkle of keys
like the stones on the bed of a brook
burbling in some childhood scene.
breath issuing from a nostril
he's had a childhood illness and only breathes through the left one
an exigence of air like frustration or exertion as he roots
through his tattered soul for fragments of beauty, only finding
the click of fingernails and the roar of a generator.

movement of a chair. underneath his weight the world shifts
infinitesimally
the world moves infinitesimally the floor tiles an immeasurably tiny distance away from his feet
suddenly the walls are strange.
suddenly the air is different from this infinitesimal movement
above the world his weight shifts
movement of a chair.

crickets. The idea is almost laughable. he closes his eyes and imagines them
perched on a gaggle of rocks outside the ground floor window
some demonic creator's plot device
he knows he should laugh but he trembles 'chirrup'
with the crickets.
the bustle of a fan cools his back
gives him air for a sigh
there is no home in the night-time only the creeping dread that with each tick of an old clock the universe shifts an infinitesimally small distance away from him

but elsewhere in the vast emptiness the air aches with the silence


adam

OTR
0 comments Sunday, March 23, 2008

On the road
90 kilometres on kerosene
slow it down, we're only eighteen for now

On the road
is a bright blue sky
the future's a bright blue firefly
losing the urge to keep my hair down

On the road
we'll drive your dreams
into a drunken ditch
and lie back stargazing and throwing up

On the road
we'll have had enough
we'll drive back home and pack our stuff.


adam

1 comments Saturday, March 22, 2008

"a meeting of minds" is not so apt
to describe the pothole-ridden road of love
more like a smashing together of pies
and seeing if they stick together
and taste just as good mashed up

memories are not so much holding hands
sitting together on a bench in the park
but the sound of ground gladly receiving
the shit of birds, splattering, splat splat
and jumping up, screaming, wiping fervently
hasty apologies to no one in particular,
uncomfortably fidgeting on the way home

not the footprints left in the sand
but getting cut by broken glass
on pristine beaches, feet as marble, streaked
across the sole with a dash of tabasco sauce
and the desperate rush to hospital
to do a test for aids
just in case, its better to know, you see

but when i think of you
(i don't even need to hold your hand)
all this shit is fine by me

4
0 comments Friday, February 08, 2008

is just a way of saying that
the number of fingers on your hands is something that I sincerely miss
four is a great way to have a family
four is just the number of countable ways I could've said 'I love you'

3

is the number of holes in the front of your face
I guess I'd say that I miss each one
Three is the number of sunsets I actually enjoyed
After three it started to get
a little overdone.

2

Is how we count your eyes
they are almost too large, and slightly fruit-shaped
Two is when we take stock of the number of people
it takes to hold hands
Two is the number of minutes I could rest my head on your shoulder
without cramp

1

Is what we say for romance
as if a person could possibly have two hearts
One is the number of times I will let myself look back
Once more and I'll break your legs.


adam

2 comments Friday, December 28, 2007

on a night such as this -
how are you? good day,
what is the time?
may I? you may

let's go for a walk
i'll take up a ride
on a bicycle!
we could walk or we'll fly

to the moon don't be silly
i want you right here
it's enough that you're over
it's too much that you're near

let's give up (let's not)
i think of too much
i think of too little
maybe we've lost touch

with what we wanted to say
took too long in the thinking
the moment is now
the poem is inking

slowly but surely
(let's just take our time)
there's only one moment
and that is now, we've done it, it's over, we've made our
rhyme

it's too late it is gone
the moment has flown
what did it look like?
could we have known?

or just grasped like a straw
it didn't exist
it was in illusion;
moments are mist.


adam

toy
0 comments Thursday, December 06, 2007

he built a castle of roses
and watched it sway in the breeze;
the moonlight would wash
over petals and leaves

on the midnighter's table
next to an empty glass
then he sighed with the wind,
slumped over a letter

like all the works of man
toppled in the end
by nary more than a breath
and a wave of the hand

1 comments Thursday, November 29, 2007

first a little
in the mornings when you wake up
and discover that the spawnlings of worries
have taken up residence and bred in your sheets
and your sleepy mouth sour with the filmy milk of what ifs and should haves

afternoons are terrible. the sway of a leaf
becomes in one terrible instant the sway of jeans on a hot school day
or the shadow - the silhouette of a smile
a breeze is the memory of a past kiss.

evenings - quiet roads now ring with longing
no more solitude but emptiness
long shadows - a quiet play only for your audience
the puppets secretly laugh at the living

it hurts but then the next foot falls
and your shadow lags behind a step
and, tarrying,
hurries to catch up


adam

0 comments Monday, October 22, 2007

I ran into a minstrel
on the red road outside town
he was singing for his supper
and he looked a little down -

"these are the last days
'fore time comes to an end
and we have spent our centuries
to break and then to mend

our pity, our art, our built-up things
our craftsmen lifetimes-wise
but the world will end tomorrow;
so now we improvise!"



adam

0 comments Friday, October 12, 2007

every saturday he sits in his corner
and smiles.

then he takes out his little keychain,
and twiddles his fingers about the bones
rayed out like so many cold cold ribs.

he walks to the door, the glowing black door
and he puts the key into the lock
twists it
twists it, hears the click

and now he is happy
locked in.

0 comments Sunday, September 09, 2007

there you sit at the computer,
staring, staring,
staring,
staring.

the screen is bright enough,
does it reflect you, man?
a timer ticks away, bottom-right, right, beside
beside that number that shows how many megabytes
how much more memory that silicontraption has,
more memory?- you could always buy more
more for the precious pile of metal
the shiny heatsinks
the shiny chips
as you looked into those memory chips
did they reflect you, man?

or were they too bright, were they too bright?
were they too bright? too much light?
you could always lower the gamma
lower, yes, lower, a touch of a key
a flick of a switch, yes, lower the light,

the sound too loud perhaps? then turn it,
turn it down, turn it lower,
make it deathly silent. it is easy, is it not?

do you hear yourself in the silence, man?
do you hear?
do you hear breathing, do you hear?
do you hear beating, do you hear?
do you hear hearts and stomachs,
beats and growls over whirrs and whines?
can you hear yourself in that silence?

can you hear yourself over whirrs and whines,
that whirring noise of the many fans
those fans that fan the heart,
fan the heart of your computer?
will they ever burst in to fire, does it, does it
does it feel the heat that it makes itself?
does it feel, man? does it feel?
tell me, does it feel the cold of the room,
that cold that preserves its bones,
that cold you made to preserve its nerves,
even that cold that freezes your flesh?
can you feel it, man? can you feel it?
too cold, and a switch; too cold;
the air-conditioning goes down, down, lower,
and it is warmer, it is warmer for a while.

but you are afraid.
the heat, yes, the heat, will build,
build, build, build, until those chips fry,
fry, fry themselves in their own lard.
are you afraid of that, man?
are you afraid of that?

are you afraid of that, man?
are you afraid?

are you afraid of that?
go out of the room,
go out of the room,
go out of the room

out of the room
the room,
out of the room
and into the sunlight which you cannot,
cannot cannot adjust,
that sunlight, yellow light to strange eyes,
accustomed as you are to flickering white.
go into the sunlight, the sunlight,
and into uncomfortable, uncomfortable warmth
embrace the warmth,
the warmth that warms as much as it wants,
the warmth that you cannot adjust.
you were not born here,
you were not born to die here.
go out into the noise of the world, man,
go out into the noise of plate and pan
jackhammer car jogger ice-cream van
go out, go out, go out and then
go out again i know you will return here, man

go out go out, return here no more,
go out, you will return but
go out.

go out where you cannot control your destiny, man.
you are no god
you are no god
you were not meant to be god
you were not meant to be god
you were not meant to be god

you are not a god, you are not
you are not
you are not a god of order

you are a slave of chaos
a slave of chaos
slave of chaos
of chaos
chaos

go out, go out, where you are a slave
to sounds that you must hear,
light you must see,
warmth you must feel, oh man,
go out and feel the warmth that misses you.

you are no god on olympus, you cannot live in storms
you are no god, you are no god,
go out into the world that you missed,
go out into the world,
that you missed,
that misses you still, man.
go out into the world and live,
live like a man.

go out, go out. feel, see, hear.
feel, see, hear.
you have not felt anything but freeze.
you have not seen anything but glare.
you have not heard anything but whirr.
go out, man.

are you afraid, man? are you afraid?
are you afraid of chaos, chaos,
chaos that you cannot control, man?
go out, man.
go out,
go out where you cannot stare into it any longer.

does it reflect you?
does it reflect you, man?
does it reflect you?
can you look into it as a mirror,
can you look into it as a puddle,
can you look into it?
can it show you your face, man?
can it show you you?
this screen does not show you,
it does not show your life,
it does not show your life,
it does not show you.

you are no god, it lies to you.
you are no god, it lies. it lies.
it lies, it lies. it is perfect,
it is perfect,
it is perfect,

it is perfect.

it was built to be perfect,
know that, man. know that.
it was built, and built it was
for a purpose, built by men.
it was built for one purpose.
it was built to be perfect.
it is perfect.
it is perfect.

it is perfect.
it never forgets,
never forgetting,
it never forgets.
and so it lies.

go out, man.
you were made to forget.

-~-

a.n.: this is what many hours of system shock 2, a good hot shower, and an overdriving mind make.

0 comments Wednesday, August 08, 2007

different when we get back, the product of
breathing the air on opposite sides of a continent
mountains between us,

miles of wire between us
so that we can share the electricity of our existence
but the touch is lost
its insulating quality that keeps us from being reduced to electrons in a pipe

oxidation is loss. we'll be
spirits lost on a wire
we'll drift between packets and protocols
we'll dissociate our feelings
immune to grief, we smile our
electronic smiles.

II.

we'll be
afraid at the last juncture
before the point of divergence; taking our trajectories
to different coloured skies

the last brush of
fingernails palm sweat
evaporating on my forearm

tomorrow it will dry
memories are anhydrous
but tears are not.

III.

we'll be
waiting for the crossroads
not divergent yet; our footsteps still
in rhythm with the drummer
that is our sycopated
heart-beats but yet -
touches cold we fear the coda

IV.

we are
silent, sitting on a bench
no pain yet - but our eyes glow
like the stars we are,
we are, we are, we are.

1 comments Sunday, July 29, 2007

on the porcelain tiles
tending to the bougainvillas
i'm inside making flowers into necklaces
later she tells me they're pretty; she wears one around her neck
and gives me a little laugh

she's outside pulling weeds
i'm inside with the herbicide of youth
angry at the walls;
my tears are to her
garden shears

like rain to butterflies
(where do they hide until the showers have passed?)

she's outside watching television
in her old wheel-chair
I am inside
dreaming of airplanes and skies

I am outside dressed in drabs and grey
walking around the wooden box
I bend as if to confide
but now she's fast asleep, inside.

2 comments Tuesday, July 17, 2007

you and I have no chemistry. Henceforth
we are dissociated, I my own
entity. I cannot comprehend
your spontaneous flares;
insoluble mysteries; variable states,
golden dust motes floating
precipitously -- the facts stand as this:

when I count the ways I know thee,
the technicalities fail me.

0 comments Friday, July 13, 2007

He stood and waited as he tried to imagine what it would sound like if the train passed by him without stopping. it was a faint humming in his head that grew as sudden as a bolt of lightning, then faded just as quickly into a low moan, leaving behind empty air and a trinity of rails.

Perhaps he had been waiting for too long; when he waited, he thought, and when he thought, he thought of such things. in the distance, he heard a thud-thudding, accompanied by a light shuffle of shoe on tile. he had found a seat long ago, all of them empty anyway. everyone had boarded the previous train in their hurry. though the trains ran in a loop, and the last one was not due for a few more hours at least, the station was empty nonetheless.

Then more people started to fill the platform. first it was one, then they came in two by two, all manner of men and women. so many people flooded the floor- almost threatening to break past the line meekly painted into the tiled floor, and overflow onto the rails. ever they came with no end, all manner of brilliantly boring people. some in riches, some in rags; most oblivious, a manner of metal mated to their ears. there were those in clean suits and tie, immaculate hair on white shirts; there were those whose white had grown yellow with age, but who still fumbled to tuck their shirts in and keep a crease in their pantlegs; there were those who carried great bags, bent over, with no care for the stained patches adorning their clothes. all of them jostled and scrummed, sounded and laughed. so many. he had not thought there had been so many to live. the sensory confluence reminded him once of a movie he watched of a slow-motion magnified frog's leg twitching upon the application of galvanic force. like so many cells they twitched, hemmed in on all sides by fellows; then there was a great flash, and they lunged!- they flailed in one direction, moving scarcely a nailsbreadth each but drawing the entire leg with their concerted power.

Then two of them caught his eye. they were surely together, his arm about her waist. whispering sweet nothings into each other's ears. perhaps he recognized them, and there is nothing like recognizance to bring recognizance. perhaps they were the same couple yesterday, but then she was in a shorter skirt and his hair gasped at the ceiling, frozen in picassoesque spires. or perhaps he knew them from two days ago; then she carried a red red rose newly sprung, and he had a smile more sincere than the sound their feet now made when they stumbled, giggling, across the floor. now he was in a great suit, coat hanging on the other arm, and she smiled coyly in a pretty blouse and lipstick.

Or perhaps they were all different couples. clinging on together in their happiness perhaps, and both men and women flickered glances thence, perchance gently jealous.

Then he heard the announcer on the sound system. a breeze blew past his ears, whirling with the static-garbled words.

"For your own safety, please stand behind the yellow line. thank you for your co-operation."

The thud-shuffling continued even as the rumble of a steel behemoth waxed in the distance. as though a lion sensing prey, the thudding hastened for a few moments, then it resumed its old pace. perhaps that was the tail of the lion; the rest of its muscles coiled in anticipation, the muffled roar stifling itself, and countless cells readied to spring. then the train- he dreamt then, so vivid, that it had stopped to graze or perhaps drink from a water-hole- the lion sprung! then its lifeblood poured out onto the tiled floor, and hundreds of people walked through the doors, as many as in, and the doors closed, and the train was off.

That was not his train.

The shuffling in the distance finally reached his ears. a sickly old man, bent over crutches, hobbled over and took the seat next to him. no word passed between the two. the old man had a beard, perhaps, and might have once enjoyed the dubious honour of having hair. teeth were perhaps only a faint memory now, but certainly the love of walking had stayed with the old man, past the loss of one leg beneath the knee; crutch held erect beside him like some fantastical scythe, watching the people as surely as himself.

And then it was silent again. there would be a short lull. he knew more people would come and the station would be crowded again. as sure as from nostradamus' lips, they arrived, filling the painted floor and leaning on all the pillars. some watched the rails playfully, most stood to themselves. then a few strains caught his ear. someone- a boy, young, was singing some russian song, music filling his countenance even though his ears were not stopped up with rubber. the words reminded steinbeck of the time he was back in moscow, working as a doctor then. in the stifling heat, in the press of a thousand souls upon a lonely one, he yet managed to feel the solitude in the cold russian winter, and the warmth of a drop of the miracle liquid, the lifeblood of the proud rus. strange, how a young boy's uncertain notes could evoke his memory of a hundred men delivering their anthem; and strange, how he could think of vodka in the middle of summer.

And he was happy. music in his blood, joy was in his face. no need had he for gels upon his hair, nor neither suit nor pants nor pinstriped hat. like some rogue atom vibrating at absolute zero, or the last rose of summer, refusing to go, he stood out; pricking those who came near him, yet drawing just as many to be hurt. all about him smothered the blacks and whites of business garb, the grumbling noise of music faked too loud. perhaps again the spring would bloom in red, but not ere winter struck the lone rose dead.

And then they heard it, like so many flies catching the scent of carrion in the air. the same voice- the same sound, exactly as it had been for so many years, so many trains-

"For your own safety, please stand behind the yellow line. thank you for your co-operation."

And then there was the rumbling again, like the great hunger of a greedy emperor. this time, the train came at the other side, disgorged its vile, squirming load- like a bloated roman patriarch, taken till his stomach's protest at the table, gone to throw up a viscous bile, then shovelling just as much into his gaping maw again. as much went out as went in, an infinity of peoples chewed on and spat out in some grotesque orgy. in the middle- lost in the noise- the faint words hung on the air, trepid, then were lost to the toothless metal maws, tens of them along the steel snake like some homeric monster, snarling at the masses that yet pushed themselves into its jaws.

He shuddered. the jaws snapped shut, forcing rubber lips together. the song was lost, its notes still playing in his head, and there was a glimpse of the boy's smile- did he look into his eyes?- and it was gone.

Again it was solitude alone with solitude. the old man beside him turned to face him, and ventured a question.

"You've missed both trains. aren't you taking any one of them?"

There was only the uncertain reply:

"No. these- none of these is my train."

2 comments Wednesday, July 11, 2007

The idea that the landscape of Mars is red is a commonly-held myth. Photos from the first martian probes in the 1990s showed a panorama of red but those were really colour-enhanced - for scientific purposes, for sensation, who can say? Having discovered another uninhabitable grey rock in space would not guarantee NASA's budget - after all, we already had the moon and as far as the average voter was concerned, that was enough. In reality, the martian landscape is almost uniformly grey, punctuated by canyons, but these are grey canyons studded with grey rocks on ancient grey riverbeds. From space, the planet looks red because of iron oxide in the atmosphere. From the ground, the sky is grey, but the ever-present iron oxide dust looms nevertheless.

It was dark on mars. That was how it always had been, the shroud of night almost perpetually drawn over the red planet not by the presence of clouds (she had none) but by sheer virtue of distance.

Above the spaceport the sky was a deep grey. It was night-time. The daytime came and went with whimsy but each cycle brought no more than a tinge of brightness to the otherwise twilight surroundings. Six billion miles was a long way for the warmth which sustained green earth to travel.

It was also one hell of a long way for a spacecraft to travel.

That day, the spaceport was crowded.


Mother held my hand as we thronged with the crowd; pulled and pushed, seeping our way like rivulets of water between the cracks of parched earth towards the wire fence. I felt myself being pulled upwards by her muscular arms. Mother hoisted me to a perch on her shoulder so I could get a good view of the spacecraft: at seven, i was tall but most of the rugged colonists were taller: it was water day, there was to be a spacecraft (we didn't know what it was to look like), and it would come like rain from interstellar space to our dry little hole in the middle of our desolate solar system.

The first we heard was not the rush of the sonic boom or the parting of the sea of reddish clouds like a crack in some divine firmament to let in the first rays of a new sun, shedding brilliant light on the small pack of cold colonists and filling their eyes with a spiritual fire. Standing there I could fathom a small wet throng wading through the river Jordan; a crack in the sky; a deep voice of command.

The first we heard was not the torrential pour of combustion engines flaring in gigantuan struggle against the pull of the planet, lowering the silver spacecraft first by metres, then by feet, then by inches. When the ramp was extended, a man in a half-spacesuit stood at the doorway framed by a halo of brilliant, cutting but that is an image for later. Before there was light there was sound...

...and the sound was the word. A baby crying. It was little cousin Zechariah, nobody could hear anything of the spacecraft let alone see through the dusty haze, it was night-time, it was Mars, it was the spaceport; and he had had a brief premonition, the sort only available to the very very young, of the grief that is our birthright.

2 comments Thursday, June 28, 2007

i wandered in alaska,
feeling pretty bored
when all a sudden to my left

there darted quick a fnord.
perhaps i was mistaken-
but sure that i was not,
i called my huskies to awaken,
and the fnord i sought.
fnord
all over the seas i ranged,
in search of th'elusive fnord
but scarcely a trace i gauged
of that invisible god.
it left me a broken man,
now weary of life itself
but still the desire ran
to see the fnord myself.
fnord
so over sea and mountain like i roamed,
though neither brought me sign of what i sought.
in time, the winter rains to me were brought,
the seas they froze and fresh in spring they foamed;
the leaves turned brown, were trodden into rust,
and gave the barren trunks their greens anew,
while eggs cracked open, hatchlings aged and flew,
and even stones were worn down into dust.
fnord
but ask me if i ever saw the fnord-
i never did, tho' everything i saw,
and all the songs of nature i did hear.
no man will ever know that work of god;
it is his oldest grave unspoken law:
that man before the fnord shall only fear.
fnord
not plucked from out the flow'rs or trees,
not panned from out the lakes and seas;
the fnord is nothing man can seize.
fnord
it is like a ghost in the evening air,
it is like the whisper of sweet despair,
fainter than gossamer, finer than hair.
fnord
but it is in every work that man has wrought.
in every statue, worked in every ingot,
in every word, each punctuation dot.
fnord
it is in every breath of city breeze,
in every stark cold white fluorescent glare
upon the baby cradled in his cot.
fnord
make no mistake, the fnord is there.
beware.
fnord
although you might not know of what i speak,
it is still early; wisdom's child is meek.
although i know it is in vain to seek,
you, dear, might find what i have longed to see,
in everything surrounding you and me;
but, pray, if you should ever see the fnord,
know that that knowledge is most dearly bought.

0 comments Friday, June 22, 2007

floor flower

papers
files flung or simply left
through neglect or a deliberate act of violence
bag open - blue whale sifting the air for the detritus of dust
eating through the shiftless cobwebs of disused time
or a mouth open in frozen, dead wonder
the ruins of Pompeii.

adam

0 comments Sunday, June 17, 2007

for you (who caused my heart's erosion)

I. harlequinade
farcical clownery or
love? as our painted lips
(cherryred, dustymauve)
and the shaded world
sparkling under
my left eyelid
with stripes of
peach&rose&goldenrod
were threatening
to brush (or possibly collide)
at this instant
a (fairlysmall)
dollop of coldcream time
hearts twisted, tangled
hung
for sale on a yellow ribbon
caught up in
a lovers' flashy
display of
buffoonery

II. chaparral
a dense thicket of shrubs
where we tumbled&played
as children
and lopsided grins
cracked our faces evenly in half
as the sunlight dappled
your earlobes and chin
and we were
hippomenes&atalanta
orpheus&euridice
perseus&andromeda
as our lips were stained
with the purpling
fruit of berrybushes
and small trees

III. alcazar
a spanish palace or fortress
where you draped
silk&moonlight
across my curving limbs
and took my hand
(chilly for want
of your dust-caked touch)
and led me,
a princess (made of icy stars)
to a prison
dangling crazily
between earth and sky,
suspended (tucked-away)
in a twisted, blackstone tower
originally built by the moors

IV. sachet
a small packet of
ashy snow is my heart,
but
maybe you can
find the last glimmering
gemstone hidden
(buried&sifting)
in that wasteland?
i don't know how
it was fooled
so
(tenderly&mercilessly)
by your dancing pupils,
your laugh
sweetly aromatic as
perfumed powder

V. panorama
an unbroken view
into your graying eyes
where i cannot believe
what i saw:
a world shadowed with
silver mist
that shrouded and distorted
entire lumpish continents
and roiled over
the palsied sea
punctuated by blueblack bubbles
where tenthousand(maybemore)
emptyfaced people
had been placed
(in meticulous crisscrossing lines)
crowding the yellow tinged glass
of an entire surrounding area

VI. creosol
a colorless
look was all you threw my way
(but it missed)
and shattered crookedly
on the bristling fence
behind my two shoulderblades
and only slightly glancing them,
enough to sear a questionshape
into the whitewhite skin
a trail of hurt which
dripped and disappeared into
the air
remained&hovered
(but thanks for asking)
when you pressed scarred palms
to hollow cheeks
you left pinkbruised marks
glistening like
oily liquid

VII. iridescent
producing a display
of something like
hope (champagnecolored)
dancing at your temples
little glassy shards
of canned light
and i think it was a goodbye
half-sunk into your parted lips
and as we touched
(fingertips, like curling palm fronds)
into
a haphazard explosion
of lustrous, rainbowlike colors



side note: words in italics: meaning of the words in bold

0 comments

Fairy tales

Once upon a time
Seems so long ago
No more weary knights
No more fire breathing foes

Chivalry and folklore's gone
The prince's kiss turned to dust
The jeweled sword no longer shines
The treasure chest is locked with rust

The mermaid's tail swims no more
The fairy's wings are ripped apart
And yet these things come back alive
In a read book and a child's heart.



Onions

straight line on the screen
perpendicular to my fingers crossed
i hold my breath. in it goes.
steady.
my heart races. hook me up to one of those
and the line will jump up and down
like fresh onions on a skillet.
he can't taste onions anymore. i cry.

1 comments Friday, June 15, 2007

double bill.

Hug

hovering on each other's edges
there is a precipice of indecision
in the split second of eye contact
a buzz (is it electrical, or some force of the soul?)

there is a rush; and the moment
vibrates
between the could be
or maybe should not then there is no hope

when it's over we wonder if it really happened;
was it some sort of insanity
(but we feel the lingering warmth down our sides)




Leaves

no telling when the wind will blow
its coming or its leaving
except the sound of moving leaves
a silence's gentle sieving

between the bars of quiet
with luck a footstep may trawl
a passing car makes angry air
on an evening's sultry drawl.

my breath intrudes;
Silence is the friend of feet
voices give way to headlights
and the sound of a darkened street.

adam

1 comments Monday, June 04, 2007

a long time since
or: delayed onset of hyperallergy

sometime around twelve in the afternoon, at the height of the heat, a man collapsed deep in the dark heart of a giganteous dome; the dome that protected his kin from ravaged and revengeful nature. his passing made no noise; caused no stir; and soon an ambulance picked his body up, its automated medical system still whirring. the coroners- his fellow students- found no poison, no drug, no killer save the man himself. exposed to open nature once, so many years ago as a child, he had become addicted to her wild and sullied beauty; today he died of it.

1 comments Friday, May 18, 2007

Life sucks life from the living
in the living of the life -
a collection of comforts that can't last
(like kites and grades and friends)
and a miscellany of miseries that don't
end, but are surprising in themselves.

Life sucks life
from the eyes that don't shine
and the lungs that fail -
inhale exhale cough choke sputter
repeat -
and the ears that resonate with jarring silence.

Death is kind -
it does its job,
scythes the soul,
gets its due;
and once it's done it doesn't end
and what is eternal doesn't hurt,
doesn't surprise,

doesn't change like life, the salamander,
slipping out of your hands,
writhing free leaving a little pile of warm-

and you can't wash your hands of life
the salamander.

0 comments Monday, May 14, 2007

18

I
the year could pass like the stirring of soup
or the crying of a cardboard baby
whirring past your earlobes
hissing like animals!
or flirting loosely with the idea of silence







II
it could be the silent ticking of twilight skies
we could stand in a circle and join hands
(here put your hand in mine, fingers
encircling
like mating honeybees or the long-end of the preying mantis moving in for the
kill.
)
here i am Lord take me take this life take this flesh give me something else
here i am encircled on a sliver of bespectacled earth
Lord, I am tired of people. I am besmirched.
it could be the noise of monstrous whirling fleeing eternity fleeting like the buzzing of dragon-flies

III
Tacet.

-adam

2 comments Sunday, May 06, 2007

seems to be preparing
for something
involving the universe

little satellites round
the bends, thoughts weighted
down by apples in a bag with

homework and long bus rides
- spurting from their shoes
the remnants of rain

0 comments

of spinning air from lungs
under heated, hell-bent
sunlight; feverishly, comically
practising an extremely distant
cousin of ballet -

is being rattled, inexorably
in a little bus; watching from
the white fence the others
giving themselves up to the god of running;
hoarse from a sudden typhoon
of knowing -

those days turning into nights,
silhouetted against stadium lights;
compelled by dreams of far-off
drums (those beating now),
heartbeats being propelled forwards
unable to stop.

2 comments

an ode to words unspoken,
for unmade promises, unbroken
to inchoate, inarticulate cries,
unverbalized, unvocalized sighs.
a lament for those laced
into love, those faced
all day; every day, with
its gossamer, undying myth
in the reality of lamplight,
cold and clear hindsight;
one sees in fact
that poetry lies not in this vanishing back.

0 comments Sunday, April 08, 2007

"Are they still-"

"Yes, Mr. Steinbeck, they're still chanting 'we want more pay'."

The head of the Astronomical Observatorium paced about the floor even more nervously. He read his watch, said "forty-two hours to impact, seventeen to zero hour". He grew increasingly agitated in the span of a microsecond, walked out to the window of the hotel room in the affluent Grand Central District, looked at the crowd of assorted technicians, janitors, and astronauts below him, and shuddered. "This is bad."

"Well, that's what capitalism gets you, sir."

His assistant looked noticeably less flustered, but nevertheless adjusted his tie self-consciously every twelve-point-six-six-seven seconds, rounded off to three decimal places.

"Indeed, Jenkins. I wonder why we didn't just give up the idea of a meritocracy, put down our grudges, embrace our fellow men as equals, and completely forget about scientific progress of any sort back in the day."

"Sorry, sir. Just my thoughts."

"Pah. Bloody capitalists."

In a few moments, they would be (representing the Astronomics Institute) presenting their case to the LaFerge Corporation as to why the latter should raise their workers' wages in order to get them willing to work in their capacities as rogue-asteroid killers.

"It's preposterous, Jenkins. An asteroid big enough to make the sixty-five million bee-see-ee one look like a golf ball, and they're talking profit fucking margins."

Jenkins merely shrugged. He had met his fair share of money-wringing pricks in his life, being deputy head of the Institute, and thus in charge of acquiring funding from time to time. This was nothing different, albeit the result of the conference would affect (i.e. kill off) the entirety of living organisms on the planet Earth, down to the smallest protozoan and dirtiest bottom-living shit-kissing scum-sucker bureaucracy could produce. Naturally, it didn't mean much compared to a potential cutting of four billion New Yen a year, compounded by new hirings, off a three-thousand-quadrillion profit. No, the very idea was horrible. Still, the ethical implications of killing off ten billion people were enough to make the Executive-Chairperson-Of-The-Company-And-Generalissimo-In-The-Highest-May-His-Name-Be-Hallowed-Forever Bob stoop to holding a conference with the two astronomers , with the intent of "assessing the pros and cons of acceding to the union's demands".

"Fuck their unions!" Steinbeck was getting slightly agitated. "Fuck them and their fucking cunt fucking profit margins! It's the whole damn world at stake, and all they fucking care about is their fucking profit fucking margins! What the fuck is happening to Earth?"

Jenkins nodded sagely, repeated. "I tell you, sir, it's capitalism."

The old, balding, and tall-but-skinny-with-frazzled-sideburns head of the institute glared at his deputy, looking as though he belonged in another institute- one with padded and soundproof walls. He turned at length back to his watch, continued pacing about the room.

"And you know what makes me sick, Jenkins? It's the fact that we're wasting so much bloody time waiting for those- those- scheisskopfs to prepare their agendas and settle on an equal representation of shareholders and whatnot- Hell, we're here with this much time to spare only because I volunteered to use agency funds to secure the venue- when all this while that rock half the size of China comes ever closer, just waiting to kiss our ass goodbye. And those fucking unionists aren't doing a fuck about it! Don't they fucking understand the importance of global extinction?"

"Well, they've got to make a stand, sir. Besides, it'd be illegal. Misappropriation of private property, and the like."

"Mis-a-fucking-pro-fucking-priation my ass! It's the fucking world! Arrrgh!"

He threw his arms in the air helplessly and flailed like a fish on a marble countertop waiting for a sushi master to gently dice its guts apart. The subtly horrendous attempts at art strewn gratuitously about the room didn't help much. He put his posterior into a strange chair that looked as though it had come out of one of Picasso's nightmares and had been painted by Pollock. It felt unsurprisingly shitty.

"Another thing that makes me feel like shit is the fact that our only case is the fact that letting the asteroid hit Earth will cause a greater loss in terms of insurance and work-hours lost. Makes me feel like utter doggy-doo-doo.

Jenkins ignored the last statement. "Sir, I included the human cost in our first estimates, but I don't think they'll buy that, so I've got another estimate disregarding the cost of 'trauma' and 'psychological impact', et cetera."

Steinbeck looked wide-eyed at Jenkins for a moment, then started choking out laughing sounds.

"Let's just use the second estimate, eh? Besides, all that 'emotional grounds for compensation' bullshit's been outlawed ever since twenty-thirty-six, eh?"

"Aye, sir."

"I didn't want an answer, Jenkins. It was rhetorical."

"Of course, sir."

He sighed and slumped further into the already-uncomfortable-enough chair. He tried again half-heartedly to rouse a visible enthusiasm in Jenkins.

"Don't they have any common sense, Jenkins? Don't they fucking see what they're doing?"

"I suppose they do, sir. After all, they're bucketfuckloads richer than us."

Steinbeck left his mouth open for a few minutes, thinking of a possible reply, but gave up because his mouth was getting dry in the air-conditioned room, and also because the shouts of the unionists outside demanding more pay before they went back to work interrupted his thoughts every few seconds, making it impossible to think without inserting a profanity every now and then.

"Fuck."

"Fuck what, sir?"

"Never mind, Jenkins. You know, there used to be a time we would get beaten by our parents (back when we had parents) for saying that sort of thing. It's become a perfectly acceptable addition to any sentence. Nowadays you kids take it so literally."

"No other way to take things, sir."

"No, indeed, you slimy piece of shit."

"Sir, I'm not slimy, sir."

"Fine, you piece of shit."

"Aye, sir."

He gave up and resumed waiting for the conference to begin. He checked his watch again.

Sixteen and a quarter to zero hour.

After another ten minutes or so, he got up and dragged Jenkins to the conference room they had booked, eventually arriving three minutes and one point one four one five nine two six five three five seconds early, rounded to ten decimal places. He sat down in one of the chairs at the exact moment it turned three minutes to noon. The significance of the moment lost to him (at that exact moment, a faulty alarm clock rang in a mechanic's office for no good reason, startling him and making him drop his sandwich, a crumb of which would eventually be hurled into space along with its cargo of bacteria, ready to colonize the barren world it would land on and eventually develop into a civilization pondering where the hell exactly they came from), he grumbled, having nothing better to do.

"I agree, sir."

"What the fuck, Jenkins?"

"I agree with you, sir."

Jenkins grumbled.

Steinbeck merely went "gah" and went back to grumbling.

Eventually, twelve representatives arrived in the conference room and took their seats around the table. One of them (he assumed correctly to be the one really in charge) volunteered to explain their unorthodox timing.

"You can call me Ms. Delahue. We're sorry we're late, professor, but we had to, you know, all the formalities and dress codes our company advocates."

Steinbeck murmured under his breath to Jenkins: "bloody women". Jenkins chuckled. Misogyny had not yet been outlawed, purely because misandry had also not been outlawed, and the constitution demanded equal rights between the sexes. In fact, Ms. Delahue, upon seeing Steinbeck's lean towards Jenkins and the latter's subsequent chuckle, leaned to the lady on her left and said "I bet those chauvinist pigs are saying something like 'bloody women'". Steinbeck, observing Ms. Delahue's comment and her partner's subsequent chuckle, leant once again towards Jenkins and muttered "I bet they're talking about us". Ms. Delahue motioned to her friend and said out of the corner of her mouth "I think they're talking about us".

One of the auxiliary representatives unwittingly cleared his throat, and everyone sat up straight in the chairs designed to promote back comfort with a recline of one-hundred-and-thirty degrees between the back and the thighs, self-adjusting to any body shape and size, easily available from Jackson and Sons for the bargain price of ninety-nine New Yen apiece.

Steinbeck broke the nervous silence.

"And where the fuck is Bob?"

"We're sorry, professor, but he's busy with business. We here represent the interest of the company and it's shareholders, in his place."

He groaned. So they weren't worth the time after all. Even worse, they probably wouldn't make any decision. They would probably just feed everything they heard back to whoever was in charge, who would deliberate in the comfort of his golf course, or in bed with whichever mistress he had slept with the previous night- depending on the time zone he was in.

"He is, however, observing the meeting via airwave."

His face grew brighter. Finally, something was going right.

"Very well, let's begin, shall we, Ms. Delahue?"

She nodded.

"Okay. Today, we are examining the issue of the workers' wages, specifically in the rogue-asteroid-killing department-" here, a representative whispered "actually, it's a segment" and Steinbeck glowered before continuing- "- segment- and the potential costs if the demands of the union are not met. First, an estimate by our institute as to the potential cost of ignoring the asteroid: nineteen billion and twelve million, give or take two million. In any case, it is far greater than the four million the proposed wage increases would cost; certainly enough to get you to reconsider."

At that, the representatives let the good professor ramble on for a while. When he looked as though he had finished, they dropped the bomb like a B-29 creeping up on an innocent, unwitting, happily merrymaking city suddenly drops a twenty-one kiloton atomic bomb as some sort of practical joke.

"Actually, professor, we've done our own estimate, and it shows to be three billion nine-nine-nine million nine-nine-nine thousand ninety six New Yen. It is obvious to us that we will be making a loss of four New Yen a year if we agree to their increased wages."

"And how the anointed flying fuck did you get that number?"

"Same way you did, professor. We added up the costs of life insurance and potential work-hours lost of those people working in our company."

"Fuck! You didn't include other people in your estimates?"

"They work for other companies, professor." She explained a basic concept of economics and management to the professor with an indulgent smile. "We don't pay their wages or insurance companies' claims for reparations. By the way, professor, I am curious. Fuck what?"
Steinbeck looked flustered for a moment, then at a loss for anything to do, ignored the last question and tried harder.

"Didn't you include the human cost in your estimates?"

"To the best of our knowledge, professor, emotional grounds for com-"

"-pen-fucking-sation was outlawed back in the thirties. I know, you cunt-face, I know. You fucking Nazis don't fucking give a royal flying fuck-fingered rat's ass about the people."

The representative appeared unperturbed.

"To be exact, in thirty-six, the fifth of November, at around twenty-one hours, though sources differ."

The professor floundered for another minute or so, his mouth trying to find words (and his hands helping, trying to grasp some to put into his mouth). Ultimately, he failed. All this time, the representatives had been waiting patiently for a reply; seeing none, they made a motion to close the meeting.

Suddenly, as though hit by a dead fish, he found the words he wanted to say.

"But it'll fucking kill everybody, you assholes!"

The representatives stopped, leant slightly (almost imperceptibly) forward.

"Wait, wait." The man on the screen spoke for the first time. "Did you just say everybody?"

"Yes, YES! EVERY-FUCKING-BODY, YOU CUNTFACE! YOU SLIMY PIECE OF-"

"Good! Then it's settled. If their next of kin are dead as well, they can't claim insurance, which brings our estimate to-" behind him, some cogitors (the smartest people in the world, mechanically augmented) clanked as they calculated- "one billion twenty-three million one-hundred and seventeen New Yen. Thank you so much for reminding us of that fact, professor- we are indebted to you. Now we can safely refuse the union with a greater margin of error. Good-bye."

Steinbeck stared at the table, jaw agape. Already the company's representatives were packing up their things and leaving by the front door. When he regained conscious control of his body and had stopped making any woman walking past him blush and any man look at him in admiration, some raising a cap like a sailor would greet another sailor, others replying in kind because of the stream of profanities issuing forth from his larynx, he wept into his hands.

"Jenkins, God, Jenkins, how could they?"

Ever the observant one, Jenkins merely replied, "they just did."

He gazed about. Somehow Jenkins had managed to drag his (admittedly only fifty-seven kilo) body back to their hotel room. Everything seemed to slow down, and even the various postpostpostmodernist crocks of shit in the room looked a lot prettier now that his imminent death had just been assured. The watch read three-thirty-nine in the afternoon, which translated to around thirteen hours to zero hour. He sighed.

"Jenkins?"

"Yes, sir?"

"Know any good orgies in town?"

0 comments Saturday, March 10, 2007

I was at a trial in the House of Lords, the victimized party, represented by my lawyer and friend of many years against the Pillar Corporation. The crime was some inconsequential quibble which I really should have forgotten about before I had even considered taking to court, but nevertheless it had been taken to court. Ironically I now have forgotten it- but who really remembers a crime? Only the people are worth remembering. The man who still stands out in my memory is the judge. I forget his name, really- so you will not ever know him the same way I do. He passed the verdict for some amount of money to be paid to me in reparations, which seemed satisfactory to the Corporation, so I agreed with it and my friend must have sensed it, as he told the judge so and no further appeal was made on either side.

After the proceedings, the judge came up to me and pressed a five-cent coin in my hand; he said "you deserve five cents more than what I judged officially, but I was hesitant to include that in the verdict. It would reflect badly on my sensibilities; don't take this as an insult, I ask of you, but you will need it one day."

He was more than a judge of man- he was fit to judge all the earth and he judged correctly. Sometimes I felt that it was a waste for him to judge as a judge; he should have judged as a man or a saint, or a- just not a judge. His fairness could have been used someplace else, where it would do actual good, such as on the chair beside whichever deity might govern our lordless planet.

In the middle of my story, he was right. I was on a bus on the way home, dreaming some poetry, when a girl from my past stepped onto the front and put a few coins into the hopper, but the bus driver refused to give her a ticket because she was five cents short. I knew then what was the purpose of that coin pressed into my flesh so many years ago back when commiting minor crimes could get a major company sued, and she merely looked at me with a thankful expression and walked into the back of the bus where she faded again into the memory from which she had came. I looked at the five cents in my hand and threw the coin, now spent, into that same foggy mist whence the bus came; all of a sudden the bus disappeared and I was back in the courtroom, now twenty years past that day when I had first seen the girl on the bus and forgotten about her since. The judge Abraham Smith had just passed his verdict of two hundred thousand in reparations to the defendant, a solemn man named Derrick Ng who had been killed due to negligence on the part of the company which produced the emotional supplements he had been fed. Since Derrick was owned by the state, the compensation (since he was dead) also went to the state, although the judge judged fairly anyway.

I was present as one of the jury. The verdict, having been decided by the judge, nevertheless did not fail to astonish me. My compatriots sitting (as I was) in the spectator's box had already reached their own verdicts and were busy spewing nonsense at the judge's face, which he deigned to ignore because he could not see that they were more than puffs of air hovering over contraptions of steel and cloth over which men laid their posteriors- they were the chorus of his past, and sequestered safely away in his unconscious memory (our Freud who art in Heaven) they could only trouble the conscience of one who sat amongst them. In that way I revenged myself upon that nameless judge for justice, and the proceedings went on below me in utter silence, the gentlemen miming their sentences and signalling their arguments, nearly threatening to break out into a fight. Then again it was the fight of a man named Derrick Ng against death, and he was weeping as they brought in his autopsy results to show that he died of a heart attack, then a rebuke (he was still crying) by the prosecution stating that the attack had been brought on by a dosage of contaminated dopamine-precursor-surrogate which the Corporation produced.

It would all amount to nothing anyway, but I looked on as they seemed to drift further. Below me, the man in his coffin looked at me through the veil of his eyelids, and I waved back at a man I recognized from visions and dreams, while beside him the girl who needed five cents on the bus and missed it because she had not that precious coin (which he would only have in his memory) wept at his grave, and he knew it, and was the sadder for it because he could not make her happy in life or death. Even though she was his assigned mourner from the state, he was sad for her- and he could see that Derrick, too, was happy.

From some point of view he suddenly realized that he had been referring to himself, and he looked at his own body, seeing through eyes that were older than Time but younger than Sin. He was naked, but the crowds walked on past him in the halls of the court, moving into the room where the Wise Magos on his throne meted out judgement on the willing and unwilling, and there he understood the dilemma which Abraham faced; he was trying to consecrate a bowl of shifting sands, trying to baptize a screaming and thrashing child, bringing a population under law under strain. There he saw the weary lines in the judge's jaw, marked the face of a tiredness whipped by moderation into something which bore more semblance to an occassional weakness in his heart than a precipitious despair in his voice.

Then the whole weight of his life broke in all about him, and he was swamped in the heat of recollection, as though his life had been written on a piece of paper, crumpled, then dropped onto and endless beach and burned while the smell of ash and silica consumed his senses. The girl whom he loved, then promised a friend to get over- that was a September some year back- then the abjection that was an absence of more than a month- then his youth, where a line told him that he was wrong, that his ruler was wrong and the teachers were wrong, when he measured the side of a rectangle and the God of Education proclaimed it a square- he was wrong, though he was perfect, but those above interceded and separated him from the one hundred marks he knew he so rightly deserved- then older and older memories, built into the mottled peat that was his mind, sunk in as foundations so deep that now their unearthing shook the very castle of his thoughts- back when before he was even born, he remembered the life of the universe, its death, and his Godhood and rebirth at the end of time.

It was all so strange, yet exhilarating, as though ex homine a greater truth lay bare before him, waiting for him to take it, embrace it, and return it to the cot in his heart where he knew it rightly belong. Finally the memory that he had been waiting for came back to him- he saw Derrick standing in the hallway, Abraham pressing a coin into his hand, and the words that were spake did render him unto untold despair that he would never rise out of, even though he had finally gained the understanding he had desired so strongly ever since he had been born; that understanding of the primal world which lay behind the veil of senses and thought, and even behind the tapestry that depicted the Veniversum in all its glory; he had conquered it with logos.

-~-

an experiment in modernist prose writing. i quite like it myself. i thought of it in the shower, then wrote the whole thing out in around fifteen minutes in a flash of inspiration.

0 comments Thursday, March 08, 2007

when the eastborn disk flails at his zenith
but his bright blood stains the cotton-clouds black
then you know the world is not right at all.

high on his jewelled throne, so very small
the sun-king sinking must feel some monstrous lack
so far removed from earthy pulse and pith

he has a heart to fill but no eyes or ears
(even so it has no strings to be tugged at)
and his bowels burn up everything he consumes
poor helios will never be anything but fire

so he cries, and the clouds hold blood and tears
when they strain against the weight of sunbeams
then their toil rumbles all across the earth.

even the sun must have a doctor to his heart
i told a joke and the rains stopped wailing
it seems heaven has a sense of humour after all

1 comments Sunday, March 04, 2007

at night,
swimming in a sea of streetlight;
like moons rising ahead
where the road's belly curves out of sight.


(beached now,
waiting for the last buses home;
watching cars drift us by -
ripples of watery glee)


the darkness closes our eyelids;
you slip up a bus and the
shells sing to me

0 comments

locked into the av theaterette
- with the darkness you find at the bottom of a pond.
toes of coldness up my nose,
feather-sad shapes of chairs

4 comments

In the mornings you feel like you cannot let go
of the hundred things you said to yourself-
last evening -
and last night was the worst of dreams
bitten into a bruised maroon the thought of seventeen hundred
so many,
you had not thought it had taken so many.

they said the world would end
tomorrow.

a stark march across
(the floors of silent seas?)
the shop at the corner and the sky
it was raining and
it was like sad sand flowing between the ashes of a construction site

a hundred suns wouldn't tell
how much a single tear
streaks across the universe

or lands like a raindrop in a shell

they said the world would end
In the mornings you cannot let go
of the hundred things you said to yourself last evening.
last night was the worst of dreams
(and last night was tomorrow
and this morning is a hazy afterlife.)

adam

1 comments Thursday, February 22, 2007

ok, so i lied. i'm secretly a modernist.

-~-

s is for cereal
are we not all serious?
there is no moon in the sky that is black
jack

son of the man
mannequin kin puppet's peer and wigstand's child
you joke! but dance a little jig for us
and while the us away
while the us of a
it does not behind to compute.

but bitten by welve tmosquitae

unlikely that i am joyce bysshe or poland
twelve again computes me.

yes, the taste of autumn is in the sakura
and who can resist- the teeming diaspora?
sit beneath the tree
watching cherry blossoms fall
floating to the sky

zen is ahead and the past is zen;

it is not defiled to speak of it

when another choking on the smog of air
the oxygen that feeds into despair
not burning anymore but eating now
no radiant face or furrowed brow
it leaves a skull to look ahead
at our unsleeping dead
insisting that they live
what gives?

on the bridge
another earth crashes;
the supports groan with the mouths of a million greeks
if it had breasts to beat then
there would be no equal in expression
naked, oiled, it is ready
then the spear lunges and it falls.

sometimes i wonder
many times i have died
but this is no claim over my life
and the cherry blossom falls
but the trees stand. not seeing,
the king of gods hangs as all about him
pink bloombuds drift
has he wisdom now?

1 comments Wednesday, February 07, 2007

I see her as she sits -
the woman in her wheelchair;
will she look down and see me?
What will she see? What will she think?

Grandmama, you've no english to speak of,
I have no age.
Talk me of time,
and i will tell you my youth.

You wizened crone!
what secrets have you gained?
what secrets have lost you?
What have you bartered for your beauty?


I see you, as you gaze on me.
You smile, that look of content wistful.
You know more than I.

Yet you sigh, sewing on,
Knitting with your needles,
Clackety-clackety
Clack.

1 comments Saturday, February 03, 2007

The night is young, the day is through, all that conquers my mind is you;
Through darkness, as an arrow true, pierced in my heart, the wounds accrue;
Down memory's dark avenue, the unrelenting thought of you;
All that conquers my mind is you; the night is young, the day is through.

Here, now, amidst the death of sight, I stand within the naked night,
Despaired, bereft of all respite from fury of the untamed tide;
My dreaming brings me not delight- filled not with bliss, but born of blight;
I stand within the naked night here, now, amidst the death of sight.

The morning rises in the east, uncloaking light the midnight's mist;
The dewdrops in the gold light glist are all remained of twilight's tryst;
And darkness' veil about you ceased, I cannot chance a glance resist;
Uncloaking light the midnight's mist, the morning rises in the east.

When noontime bathes the world aglow, it all my passions overthrow;
As melting of the winter snow, then all my heart doth overflow;
When love triumphs everything below, and you the only thing I know;
It all my passions overthrow, when noontime bathes the world aglow.

And once more I am in dismay when evening harries you away;
Lost to my sight, to light of day, my hope again begins to fray;
And colours turn to stony gray - oh! how I wish that dark delay
When evening harries you away, and once more I am in dismay.

The night is young, the day is through, all that conquers my mind is you;
Down memory's dark avenue, the unrelenting thought of you
Through darkness, as an arrow true, pierced in my heart, the wounds accrue;
All that conquers my mind is you; the night is young, the day is through.

Oo?
1 comments Wednesday, January 24, 2007

Questions:

How do you break out of conventional and cliched descriptions of phenomena? It has become automatic and worthless to use phrases like 'dusk descended', or 'night falls'.


Why is there this connection between night, or things of the night, and falling? Why do we rarely say moonrise, whilst sunrise is much more common? Why do we never say moonset when we regularly say sunset? We prioritise one above the other, such that it has become almost natural to view it in this manner.

I had a third one, but i forgot.

0 comments Tuesday, January 23, 2007

In the mornings we trudge tiredly up staircases
to freeze in the cold classrooms
where we have the content of our heads measured -
in arc-tangent and sine;
in the equation of a line.

why equals em ex plus see
or, reduced to a sum of ATP -

we sit in a row slumped behind bags and old jackets
pillowcases woven out of daydreams cushion our heads, exhausted from yesterday's real work,
which was the contemplation of how the pink clouds made the morning.



adam

0 comments Sunday, January 07, 2007

the chains of illusion are born in the night
and slowly but surely conquer;
no hero can break from their gossamer might
nor resist their ethereal lure.

faint wisps of deception, mere tendrils of smoke,
entwining, corrupting bouquet
invisibly gather, then gently they choke
and lightly on ankles they weigh;

incorporeal yokes on relenting a neck,
the manacles gladly accept
and willingly bend as a beast to a beck,
to a whip of dismay and regret.

look on, on the herd! look, behold them, the slaves-
now slavering at their desires
held out of their reach, all their longings and craves
to stoke their consuming heart-fires;

and chained to a plow, all the oxen with faces,
and turning the earth sown in flood
the harvest of falsehood, the windfall of graces
to slave yet their children, their blood.

their ghostly enslavers have no need for reins
for the people have asked for their binds
anytime they can break from their tenuous chains
for their sinews are bound with their minds.

the chains of illusion are born in the night
and slowly but surely conquer;
no hero can break from their gossamer might
nor resist their ethereal lure.

4 comments Wednesday, December 06, 2006

he was walking down the streets in town
nothing alongside, nothing belongside
wearing his clothes and a hat and a frown
dark on the outside, dark on the inside

kicking his feet past the broken glass
nothing alongside, nothing belongside
making his way back home from the mass
dark on the outside, dark on the inside

and all round his eyes, in resplendent disguise
nothing alongside, nothing belongside
naked neon lights and broken docksides
dark on the outside, dark on the inside

it's hell for a man for living alone
nothing alongside, nothing belongside
when the only bells ring atone, atone
dark on the outside, dark on the inside

sunsets in september, snowstorms in spain
nothing alongside, nothing belongside
evenings past loving, evenings past pain
dark on the outside, dark on the inside

back in his bed where the sun don't shine
nothing alongside, nothing belongside
it may be bleak but the world ain't blind
dark on the outside, dark on the inside

and now his body's six feet down
nothing alongside, nothing belongside
wearing his clothes and a hat and a frown
dark on the outside, dark on the inside

2 comments Monday, November 27, 2006

This is war, and we are its children. We are the product of a generation of violence, of meaningless hatred. We are the product of silly sympathies sworn to this prophet or this god. Silly sympathies that divide us against ourselves. 'A house divided against itself cannot stand', a prophet once said. Words 'once said' can never be retracted. Speeches made can never be undone. They have created our fathers - the generation of violence, and we, the children of war.




P.S. tried to connect the ideas to each other, to give it a little flow. But it seems pretty forced at the later stages of the piece. Comment plx.

0 comments Wednesday, November 08, 2006

//the madness of love

dear reader, surely you have read of many foolish men
whom, for a maiden's simple smile, would die and be condemned
and surely you have laughed at them, so lightly sacrificed-
but they who lived the burning blaze- so gladly burned and died.

the face that launched a thousand ships and sacked a city proud
the dainty face before whom all the greatest of men bowed
so, call them foolish now! but ask the countless that are dead
to love and live, the price was death; that price they gladly paid.

Othello closed his open eyes to fall upon his sword,
and Werther never knew another meaning of the word;
oh, pity not those piteous men who lost their minds to love!
no fairer thing to make men mad was giv'n by god above-
yes, madness! love had never claimed to be another thing
but claimed the mind, possessed the soul, enraptured everything.

-~-

keeping in line with the "one post a month" theme heh.

1 comments Sunday, October 15, 2006

i have created a monster behind my eyes
she is on the brink between sleep
and horrible awakeness, aware
of the old skin
crevasses crossed with age.
the toothless face,
terrible! Terrible.

In the air between us are words
none of us want to say
None of us want to look.
we turn away -
avoiding each others'
narrow, harrowed eyes
that are pink with the ghost of tears
and the premonition of anguish.

is this a worm
curled asleep,
as if hiding a phoenix
chasing the wind.

What do we think?

There is a woman there dying and I love her.
She is my grandmother.

1 comments Saturday, October 14, 2006

i removed the tagboard. tagboards worldwide seem to be nonfunctional nowadays, and link instead to cPanel. which prompts for an irritating login everytime i visit. so i removed the tagboard. twice, just to make sure.

2 comments Sunday, October 08, 2006

each line is supposed to be nine iambs, but blogger doesn't format it properly that way, so i've broken them into two sub-lines each.

-~-

at mountain's edge i had my birth-
        a nature-born emissary of rain
and for my water-bringing worth
        was always hearing praising songs, refrains
but past the hills and vales of time,
        no praise i heard from any land i saw
and no more did the stormy clime
        inspire human songs of dread and awe.

in ancient times, far i could see,
        they worshipped day and rightly feared the night
across the plains, and to the sea,
        the gods they had were sun and fire bright
but i begrudged them not the fact-
        the day and dark are nature, my own kin
and they, when by fierce droughts were wracked
        would once again welcome my darkened grin.

but now i drift across the skies,
        and see beneath no longer greenlands home
beneath the realm of stormclouds lies
        vast edifices built of deathly stone
and people shuffle aimlessly,
        while spires strike the god-forsaken sky
and whether rain or not, they flee,
        and leave the grey-grown world outside to die.

and though i am the storm-born wrath-
        i shake with all the might of thundrous zeus-
when men fear not my lightning staff,
        then in this world i know i have no use.

0 comments Sunday, September 10, 2006

love on the wind
laughter in the air

you can tell, can't you?
that i'm from a rich country
because i can romanticize

why else would i
laugh and dance! sing and play!
dance away the dullsome day!
never walk the lonely way!
lose myself, and run away!

so many men, so much wealth
any more
and we'd all be poor

but now while i have the time
to

name things that i cannot see
feel things that i cannot name
imagine things i cannot feel
believe in things i cannot imagine
trust in things i cannot believe
see things i cannot trust

emotion
is a rich man's toy

3 comments Sunday, August 27, 2006

evolution
natural selection
divine intervention
id ego superego
DNA and how you grow
walking upright
spine straight
carved a club
slayed a beast
painted names into rock
held the burning branch
ploughed the land
built a wall
reined the horses
charted the stars
sailed the seas
tamed the hissing steam
harnessed the thunderbolt
split the elements
trapped the sun

why, why why?
why ask what turned monkeys into men

why not ask instead
what turns men into monkeys?

loosed the fury
dropped the bomb
shocked the continents
steelclad monsters of war
pillage and plunder
plotted by omens
ramapged across the plains
besieged and conquered
broke the earth
torched men and homes
painted faces for war
slayed the animal
carved a club
spine straight
walking upright
DNA and how you grow
id ego superego
divine intervention
natural selection
revolution

III
0 comments Thursday, August 17, 2006

i am as a kite, in the swirlstreams a windwaltzing rover
a mothlike destruction- attracted and drawn to my tether
a lord and a master of all that i flit and fly over
but held to the earth by a string of the fates from land under

i am as a fish, in the ocean of purest of azure
dimensionless seas to a naked and natural swimmer
but swimming above, wanly watching the water's edge waver
and looking at shimmering surfaces, filled full of wonder

i am as a man when he tramples and crushes a clover
uncertain if luck will forsake him for his misdemeanour
though while deep in thought, the question i press and i ponder
i stare at the leaves, while ignoring the fresh-blooming flower

if fate is my mistress, then irony must be my lover-
for i cannot love one and not be seduced by the other.

2 comments

coffee in brown spattered trails,
scribbles in ice lemon tea;
lost when inspiration fails,
oh my muse, come back to me.

3 comments Thursday, August 10, 2006

I look for a disc.
it is a round CD
it hides under the tables, in
the drawers like a thief
with me in tow
an alchemist after silver

it is not in the living room, but I am
on the couch, gazing through the doors
at the summer sun of '93
it is evening,

the evening through the dusk-tinted windows draws me out
the moon perched on the housetops
(upon the red roof-tiles)
is adroit the scene of me
on a grassy garden, over
fences; under
gate swings wide open to
reveal a dog and her owner

and the sign of the neighbour which says 'FOR SALE'
and tugs at my arbitrary capacity for unhappiness.

those long ago nights.
long ago-nights. I knew no simple pleasures
only pleasures
only the treasures of beneath the neighbour-trees.
Those long ago-nights.

Too much, i step back in - search again.
My disc if i find it not,
i shall not be so unhappy.



adam

2 comments Saturday, August 05, 2006

has anyone seen a missing muse?
i lost her when i had to leave
my crayon doodlings behind
along with my stuffed dog
and my imaginary friend
i think i threw her into the box
of all the old stuff

but then i didn't know what i had done
and tried instead to have some grownup fun
with things like metaphors and run-on lines
instead of blankly spitting useless rhymes
but in the end- i was unsatisfied
with what those forms had given me to write
so- onwards! to the land of anapest
and there perhaps desire could find some rest

but the fates are ironic and never will give
to a man any feeling of rest or reprieve
so i wrote and i smote and i broke on the shores
the old waves of inspiring had muffled their roars
by the lure of harsh order my heart was deceived
through a strainer of smoke my desires were sieved
so the rain did no longer with torrentous pours
and the flame did no longer consume with its force

but now it's late to mourn my missing muse
i made a choice when i was forced to choose
although, at times, i look and sadly see
the child i was, and could have chose to be.

1 comments Friday, August 04, 2006

what mean i say when love upon my lips
and through thin air the strings of open hearts
proclaim light music faintly harmony
but hearing only feeling does not make
when what is how and everything between
is nothing then behold it as it seems
amidst all noise a signal in the dark
a through the madness paper number guide
show you its purpose to decipher white
and nothing own themselves can tell of things
play tunes and fury blind and rhyme but sound
means what we mean to nothing mean it else
the word no more it means than what it was

1 comments Sunday, July 23, 2006

// A Writer's Blog special

Welcome! Welcome! to the hall of dreams
Behold, where nothing is as it seems!
Here, where time is a capricious thing,
And nothing's impossible to every extreme
Have a go! have fun! by all means, have a fling!
Watch, watch, and wow at the exhibits-
They're sure to keep you in the highest spirits!

Now, ladies and gentlemen, as we advance
Throw to your sinister a curious glance!
Here, a fine specimen- caught at his desk
Reading obsessedly, as though in a trance-
Look at him go! isn't it grotesque
To spend one's life in a flight of fantasy!
I think we'll all agree, 'tis a travesty!

We feed him on stories of unrequited love,
And marvel as he cries to a "Dear God Above"
At times, he's melancholic, at others ablaze,
But never too far from a push to a shove!
Watch! as his spirit nothing can faze!
He'll gnarl and he'll gnash at the slightest provocation
Then fall at a touch into deepest depression-

Welcome! Welcome! to the hall of dreams
Behold, where nothing is as it seems!
Here, where time is a capricious thing
And nothing's impossible to every extreme
Have a go! have fun! by all means, have a fling!
Marvel at the monkeys- but for all of their antics
Please, ladies and germs: don't feed the romantics.

2 comments Wednesday, July 19, 2006

The waters here are clearer than the skies are at home. Walking down an unfamiliar beach, I am faced with the sudden realization that I am alone. Behind me, the crashing surf drags my footprints from the sand and drowns them in the ocean. The breeze blows across the silent sea and echoes in the farthest reaches of the sky beyond. Love seems too big for this little planet; there is no room for it between the sand and the sea. I am alone, and there is no one else on these lonely shores. I have left them all behind.

5 comments Tuesday, July 18, 2006

I wrote this solely for the purpose of infuriating Ryan David.
Inspired muchly by Zhuoyi's 'How to write a poem'. Despite tongue firmly embedded inside cheek, please comment.

Not a Haiku 01

Nothing means
anything


-adam

1 comments Monday, July 17, 2006

It's fashionable to be
    An insomniac.
To have glowering eyes
That speak not
With dancing joy
Or burning hate
But with resentment
Of the rested.

It's fashionable to be
    An insomniac.
To not answer,
To maintain
A cryptic
    enigmatic
        exquisite
            silence.
A silence cries out for an answer.
A silence stings the ears.

It's fashionable to be
    An insomniac.
To be a mind
Trapped in
The body of
A slug.
Wading in
Thick sludge.

It's fashionable to be
    An insomniac
'Cos no one
Can look into
An insomniac's eyes
To see an
Insomniac's soul.

-- 10th July --

AQ
3 comments Thursday, July 13, 2006

I remember a time, not long ago
when water wasn't yet H2O
the air we breathed was clean and bright
and no-one worried about carbon monoxide
oh, it wasn't all too long ago
when grass needn't photosynthesize to grow
"hard" was anything that stubbed your toe
and "accurate" was a master's arrow
but then, things turned to the photon-less side
and once-sweet sugar was acidified
NaCl was the stuff that I cried
for forever was my old playground destroyed.

1 comments Friday, July 07, 2006

Were i but a butterfly,
Fluttering in the breeze,
I'd be an angsty butterfly,
emo, if you'd please.

Were i but a chunk of cheese,
all marbled, green and white,
I'd be a crumbly chunk of cheese,
consumed with wine at night.

Were i but a little kite,
Flying, high and sure,
I'd be a diamond-coloured kite,
They ARE forever, my dear.

2 comments

I stand in the sea.
Wave after wave of irredeemable sadness breaks over me,
washing me clean,
Washing my clean, washed corpse to the sand.

I lie on the sand,
and gust after gust of unremiting sand scours my flesh,
leaving my bones clean;
leaving nothing, but clean, white bones.

There i am, There's me,
nothing more than a skeleton of clean, white bones in the sun.

If a little girl were to pick through my bones, i would tell her,
Watch where you step. That's my ribcage.
That's my heart.